... Reagan Wilcox, post #2
6
Leah never believed that money was more important than education, despite the fading wails of her mother, but though mama had always wanted a doctor for a daughter, Leah knew that the doctor in the family could never have been her. 'I want to get married and raise a family, mama, like you did,' she'd told her, but only half of that had come true.
They'd tried almost everything medical science could offer, but after fifteen years of marriage and ten years of trying, Leah and Reagan had resigned themselves to the fact that they were not going to have any children. Adoption, as far as Reagan was concerned, was out of the question, so after all the tests, and the surgeries, and the inseminations, and the indignities suffered at the hands of nearly every fertility specialist in the United States, Leah had to satisfy herself only by being able to say: 'Well, at least we tried.'
Maybe the twenty-five pounds came from that. Who knows?
What an ego crusher it was, though. Leah's sister, Ellen, could drop them (babies) like puppies. She'd had seven in only ten years, and when asked whether they'd figured out where babies come from, could only smile sheepishly. They were good Catholics (unlike Leah, apparently—Reagan's family was Methodist) and only counted all their fecundity as a blessing from God. Surely God delivers common sense, too, but not, apparently, to the Ellen and Stanley Krynchik household.
Leah was usually successful at keeping thoughts of her sister Ellen out of her mind. She did her volunteer work, painted her landscapes (and the occasional seascape) and wove her macramé rugs, and tried to think of pleasant, non-baby things.
On Fridays, she thought of her wonderful husband, Reagan, coming home.
7
Reagan walked through the door only a few minutes behind schedule. Actually he came in from the garage, but even that had a door, so he did walk through the door only ten minutes later than he usually did. The lights were dim, only the fluorescent over the kitchen desk being on, as usual, so he set his two-suiter down next to the desk chair, looked briefly at the week's mail laying in a neatly stacked pile, then turned the light off.
No sense in stalling, Leah would be waiting upstairs. Leah was always waiting upstairs Friday nights, and Reagan knew how he'd find her.
She wasn't so bad, really. He felt it was his own singular pleasure to be able to come home to a woman in a sheer black negligée, lying in his bed. The fact that it was always the same sheer black negligée was an annoyance, but a minor one. It's the thought that counts. Maybe I should break with 'tradition' tonight, he thought, and rip the damn thing off her before we have sex. That way she'll have to buy something else for next Friday night. Actually, that seemed like a pretty good idea. A little roughness; a little harmless 'violence'; a little more excitement before plunging in. It couldn't hurt, and would very likely help.
After all, he was still pretty tired, even if she happened to be in the mood for a blowjob, tonight.
8
Reagan arrived at their bedroom door to find Leah in the bed (of course) but not wearing that tired old negligée. She was still in her bra and half-slip, and was propped up with the television on and reading a magazine.
He announced his arrival with the usual 'honey, I'm home' joke, but instead of going right to the bed, went directly to the bathroom. He was taking off his tie when she came in and put her arms around him from behind.
"How was your trip, sweetheart?"
"Same as always."
"You look tired."
"I am."
"Your mother called."
"What did she have to say?"
"She wants you to call her."
"OK."
Like that. It went on for some moments, but later neither would remember what they said to each other.
9
Leah studied herself in the mirror while Reagan relieved himself. Too much around the waist, she thought, too much Leah. She liked what the extra pounds did for her boobs, but only a relatively small portion of that excess ended up there. The rest, what wasn't wound around her waist, padded her behind.
"Do you think I'm fat?" she asked, removing her bra.
"I don't think you're fat," he replied without hesitation or inflection. He had taken off his pants and was hanging them up in the closet. "I've always liked well-padded women."
"I'm well-padded, all right." She held her boobs up with her hands, presumably weighing them.
"If it bothers you, why don't you do something about it?"
"I might." She weighed her boobs some more. "I like what it's done to my boobs, but of course most of it has ended up on my butt."
He smiled, "I like your butt."
"Do you, really?"
10
Reagan always wondered why Leah continually felt the need to 1) point out all the excess weight she was carrying, and 2) ask him if he still liked her that way. As far as he could remember her questions rarely varied, and his responses were always the same. She'd say she was fat; he'd have to tell her he liked her that way.
He threw his shirt in the dry-cleaning pile, she removed her panties, and he followed her back to the bed. Minutes later they consummated, and minutes after that he was asleep.
Only Leah remained awake. As she always did.
5 Comments:
You are correct. The line about coming in from the garage should be stricken. Sometimes, when I try to be funny, it backfires. Besides, the tone of this piece isn't particularly light or humorous. What was I thinking?
Hmmm... I have been asked the question "Do you think I'm fat?" in real life. And yes, both the real and the fictional person knows if she is fat, or not. She's really just asking if you love her for who she is. Sometimes we fish for compliments, just for a reaffirmation of that. I know better than to be brutally honest, as does my character.
Thanks for your comments. It's more than I expected. Of course, the subject is not closed, in the event you or anyone has anything (else) to say. Blogs seem so now, I think we hesitate to comment on a post once it has "hardened" by the passage of time. This beginning to a story has been "in the can" for a while, I sincerely doubt it will go stale very fast.
BTW, Mia, thanks for figuring out what that sentence meant. Perhaps I should amend this blog's name to be "Art Fish, All Intransigence", though the current title has a certain roundness/completeness to it. That the name is a kind of pun on artificial intelligence works on a couple of different levels. More than I could have hoped for.
On second thought, that "do you think I'm fat?" question is cliché and overdone, but I think it feels right for the character. Of course, I still reserve the right to sleep on this and think about it.
She does think a lot about her weight, and such. My suspicion is that this will hit quite close to home for a lot of women. Who knows if any men will see themselves in Reagan Wilcox...
(and be willing to admit it)
I liked the first part better. This one was a little too explicit for my taste, but the bluntness really accentuates the boring routineness of their lives. I don't mind the "do you think I'm fat" line. I just took it to be part of their routine. She asks, he answers, same way every time. I would really like to see where the story is going.
There is certainly nothing very romantic in Reagan's thoughts about sex with his wife. His thoughts are explicit and very matter-of-fact. They are both rutted in a routine that threatens to do them harm, unless events conspire to nudge (er... throw, maybe?) them out. It's really what they both need.
At this point we may have an idea of what's going to happen. The ulimate outcome is still not even completely known to me, since my characters aren't 100% predictable, but I know how I would like it to come out. (It may surprise you.)
A word of explanation, which should probably be a post at some point:
I have observed that when I develop characters, they seem to say and do things that fit their personalities and proclivities. I find myself acting more as an observer--a reporter or recorder of sorts, rather than a omniscient/omnipotent god directing all the action. I put the characters in a situation, and then sit back to see how they get out of it. Sometimes they don't do exactly what I expect they will, and that makes the writing more challenging.
I may be slightly off-center, but I have felt that this is how many actors work. They internalize the character, then let the character manifest through them. Believe me, when difficult, emotional things happen in my writing, I feel the pain as much as do the characters. As far as I can see, it's the only way.
My feelings will not be hurt by criticism. It (the writing) may be "trash", and I may not be the next Great American Novelist. In fact, I'm pretty sure I'm not. No matter. I've done a few things in my life, and it's been an interesting, engaging journey (that's not over yet, either). I've always wanted to write, and to the extent I have had time, I have pursued it. I do have a "real" job that pays the bills. I also know that I can write, already, since reading others' work tells me this. But I also want to become a better writer, too.
And that's why I started this blog.
I've found that the best stories(and also those most fun to write) are those that write themselves. If you have well-defined characters, the story should just come. My stories tend to take dramatic turns, such as a sudden death or change in personality. I have many more stories in my head than I have ever put on paper(or on a computer, for that matter) and who knows how they'll turn out? I'm hoping for a happy ending to your story.
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